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Episode 115 – Song of the Lioness Book 3 and 4

In this episode, we tackle Tamora Pierce’s The Woman Who Rides Like a Man and Lioness Rampant, the final two books in the Song of the Lioness quartet, and grapple with the problems of a beloved series, including how they affect its modern relevance.

Do you love romance? Do you love romances as embodiments of different modes of patriarchy? Then do we have a book series for you! In this episode, we tackle Tamora Pierce’s The Woman Who Rides Like a Man and Lioness Rampant, the final two books in the Song of the Lioness quartet, and grapple with the problems of a beloved series, including how they affect its modern relevance.

Warning: There’s no cursing, but there are frequent mentions of sex and sexuality. Also a lot of immaturity, sorry.

Some Links You Might Find Interesting:

More than escapism : environmentalism and feminism in the young adult fantasy novels of Tamora Pierce by Michael James Hancock

NEGOTIATING FEMININITY: TOMBOY GENDER PERFORMANCE IN THE WRITINGS OF TAMORA PIERCE AND SUZANNE COLLINS by Shauna Maragh

Musings on Diverse Worlds by Deirdre F. Baker

Politics of Piety: The Islamic Revival and the Feminist Subject by Saba Mahmood

Revisiting Corus: The Woman Who Rides Like a Man by Cindy Massre

Racism and Some Sexism in Woman Who Rides Like A Man by Angela

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